achtung, warning, balushi is out with two new techno bombs for the summer. on the a side let me be myself is a deep aquatic adventure with a huge basline chugging along. there are some deep dark underwater effects and vocal snippets which develop into a deep stabby groove that hypnotizes anyone listening to the track. there is then a break with a beautiful vocal derived from the snippets that refreshes the listener and takes them into another dimension before bringing them back into the heavy hipnotic groove. on the aa side we have the path one hell of a tecno crossover designed to electrify and rock summer crowds all globally...with a funky meaty bassline that rolls on and perfectly complements both rasta vocals and crazy electronic synths and squelches the path is a fat groove to look out for on the hottest dancefloors...

underwater techno. that could be leaning over backwards in just two words. tobias freunds debut album for ostgut ton also serves as the longplayer introduction for his tobias. moniker, gives a fascinating and profound insight into his special world of music and sound science.

and we continue to roll out the good stuff with a brand new release by the monster producing machine daniel steinberg under his harry axt moniker ! we don?t know how he keeps on delivering high class stuff with his extensive touring, releasing aso ! his new four tunes are fine creations from his studio in berlin, collected for this domination ep !

alex kork, founder of 9volt presents 4 great minimal-techno tracks on plattenbau-music. alex also released on relax. he did his first steps producing electronic music already in his youth. experiments with self-made oscillators, noise generators, synthesizers and sequencers he was always in searching for new sounds. as techno found the way in his hometown in the early 90s he was flashed by the new sound. as hydro he played on a lot of events and also he organised own parties. since founding the cannibal cooking club together with error in 1999 they play as liveact in the clubs. the own label for their crazy and unique sound was born in 2003. his label 9volt-musik was founded in 2006. focussed on the sound he likes, its a platform for his own productions and friends.

what needs to be said about move d? overused, though the veteran tag is, david moufang has been producing excellent music for many, many years. yet, the last few have seen him receive particular acclaim, especially for his more house-flavoured work - buoyed by his increased reputation as a dj... already played by ricardo villalobos

>world music< is the second 12 inch from washington, dc based protect-u. as the title suggests, protect-u grooves to global soundz, but this newest release–once again brought to you by future times–is total mutant house/techno. on the a-side, synth lines bubble like 80s-style francis bebey, then burn up into a space-pulse overdrive. the flip, >u-uno<, is an underwater electro-sitar dream straight outta 24th century india, followed by a slo-mo dub of >world music< that slips back and forth between digital jamaica and european nu-romance.

the >inside out< ep is a solid package featuring quality tunes from start to finish. midnight runner is a heavy plunge into deepest underwater techno, which drives fearlessly forward through a storm of ride cymbals. on the inside hovers and builds on a single chord, until breaking deliciously into a slinky deep house groove with a plonky bassline leading the way. on the b-side, the revenge pass by to deliver the >memory warehouse< remix of >on the inside< - a simple and decisive slice of deep dark rave, with all the hot production values we love to hear from the revenge. moonrunners, finally, is an organic and musical collection of neatly packed rhodes keys, piano splashes, trumpets and intense bass notes, and wraps up the package in style. another great ep for dso - and a solid return for winding road records

lightspeed champion gibt es jetzt auch in farbe! zumindest bekommt man dieses gef³hl, wenn man die vier songs der neuen ep bye bye von dev heynes h÷rt. die zusammenarbeit mit van dyke parks (produzent der beach boys, the byrds, joanna newsom) beschreibt dev daher auch als *pretty surreal*. beginnend mit einem ³berwõltigend sch÷nen cover des beach boys tracks >til i die< folgen eine weitere version seines bereits auf dem album >life is sweet! nice to meet you!< erschienenen >underwater there is nothing< sowie zwei ganz neue songs: >bye bye icarus< und >the mess you re in<. >lightspeed champions< ist der unerwartete sonnenschein f³r den man so dankbar ist, wenn die wintermonate angerollt kommen.

echospace are proud to announce the third ep from the forthcoming cv313 album, >dimensional space<. this release marks the first remix from one of the uks most revered talents -- king midas sound (the bug) who manages to take the original in a direction one would never expect, creeping and trembling right at the very core of your very being. this is truly the midst of something beautiful, its haunting, infectious and has no restrictions to gravity, this is truly something to float in. next we have a heady subliminal interpretive from seattles, rafael anton irisarri as the sight below (ghostly) there is a reason why his sound has even turned the head of radiohead front man thom yorke and if i had to guess i would say its rafaels emotional range, he tugs right at the heart strings. this mix is as narcotic as you would expect, a slow motion dream where in every twist and turn a new detail unfolds, its like visiting an unexplored world -- subtle and hypnotic. on the b side (our first sound snippet) we have a more 4/4 number culled from deepchord presents: echospace (modern love) live set from this past year. this one has been tried and tested at countless shows and club floors around the world. its all about that syncopated bassline, a subterranean bottom and an atmosphere as deep as the ocean floor -- this is underwater space funk.

the sound of the new wave band bauhaus seems to make its way into several releases nowadays. &#8232,,we are not talking about samples but the dark romantic feeling of this period.&#8232,,moonbeams track >distance< carries this haunted and ghostly feeling of the 80ies, the chill of cold steel and rooms with little light from candles.&#8232,,sure it would not be a moonbeam track if there were not the spine-tingling melodies which have always been the strength of their music!

becoming real is a young producer residing in a forgotten suburbia, busy channeling his very own postapocalyptic vision of london. a spectre-like entity flitting between a range of electronic frequencies, his self-termed >ghost-step< sound is as much influenced by a conceptual future dystopia as by luminaries zomby & mount eerie. re-imagining the iciest of grime synths through a warped k records aesthetic, becoming real has forged a frozen universe that still retains an unequivocally human feel. charged with future-dread, this is music for seas drowned in oil, tar-coated forest landscapes, and a prophesised world of underwater clubs and haunted dancefloors. after a sold out debut white label release last year, becoming real is ready to emerge in 2010 with the release of >fast motion< / jens clock<, backed with a scratcha dva remix of fast motion.

after his 1st output >mach 4< with orpheo last year, young marco now comes out with his debut solo release. this release features two aquatic themed disco jams. side a is a fast-paced underwater race sounding like an orca chasing a school of fish. the b-side keeps it smooth with a beachy mediterranean love song. another special release from hand of god. limited edition of 300 copies

with a confident beat >flagship< of the result travels through a sea of sound, transmitting coded signals and leaving behind it a trail of deep deep bass in the open waters of contemporary dance. hot on its heels is marko fu&#776,rstenbergs remix – a straight to the point melodic and groovy house re-rub! melodic and extremely impelling!

salespack featuring the best techno tracks on audio sculpture!

2002 classic!! incl. mixes by francois k, faze action, joe claussell and onda!!

its been 5 yrs since the last record was released on tetrode music. (the deep theory ep). the wait is over and the duo of damon lamar and specter have returned. this ep is picking up right where they have left off. deeply rooted in the underwater sound that have made the releases on tetrode must haves by heads around the world. side a is produced by specter and he drops his signature beatdown sound. >bazerko< is a stripped down minimal heater that builds up with 707 drums, sub bass and a hammond organ riff that really bring this track together. >nighthawk< is a beautiful laid out sunrise track. smooth drums, warm pads, and bubbly appregiated synths. inspiration drawn from larry heard and the deep techno sound of the 90Æs. side b is produced by damon lamar. >large crowd< is this beating track pulled and resurrected from the vault. heavy percussion loop, dirty bass, deep chords and a haunting vocal that must be heard to understand the meaning. >put it on ice< is a laid back downtempo track that shows the versatility of damon lamar. lush strings, dubby bass and melodic keys make it a track that just grooves and soothes the ear. tetrode music has returned with this solid offering and one thing for sure is the sound hasnÆt changed ... just more refined.

bodycode reveals tight, jacking rhythms and romantic dancefloor universalism. on baby fords remix of >what did you say?<, the legendary uk acid-house pioneer drags the tempo down to a crawl and beefs up the bass, giving the track the distant, slo-mo feel of walking underwater

our third release is introducing to you more intensely the musical personality of dairmount, founder & a&r of our the label. longtime independent music activist born in belgium (formerly known as philarmonix), dairmount is a natural born “freestyler” who embraced anything soulful & groovy since the late 80‘s, playing & travelling the world for 15 years. hamburg is the city where he settled down in the last 6 years and 2009 marks the accomplishment of his personal dream to found room with a view, shelter of his musical fantasies. friendship & challenge are two values that defi ne phil pretty well so it is no surprise that musical collaborations & versatility tightly express his musical approach and personal ethic. after displaying bass-ment tale, an old school house tribute produced with his partner in crime marino berardi, on the fi rst episode of the perspectives serie, dairmount is presenting subakuatik blues on his fi rst ep. recorded in 2007 with his good friend ralf petter, an “old cat” of the hamburg music scene, this track managed to capture the essence of these great studio sessions : phil’s natural obsession to create hybrid club material & ralf’s amazing engineering skills matching perfectly to create this sub-aquatic dream that resulted in the track name. lost in the world of analogue synths of ralf’s studio, they created a 9 minutes odyssey crossing the lines between deep house, disco futurism & detroit infl uences topped by a surprising “ravy” breakdown. phil approached naturally two of his longtime favorite producers to give their own perspectives of the timeless feel of the original : russ gabriel, who phil has always admired for the depth of his output on ferox, planet e or his own soul on wax, has signed a beautiful version of the track. extremely subtle & hypnotic, this remix is a true blessing & a great pride. mood music’s honcho sasse, old friend of phil, retouched with lots of love & care the track that he went crazy for and even realised 2 vers

rotterdam den haag connection december 2050. this time david vunks moustache records delivers le crunch ep (previously announced as biersmijt ep), produced by the one and only mr. pauli. the a1 side features the new hit called le crunch, a high energy italo wave track that rock your pants off for sure. second is a spacerockdisco remix of le crunch that listens to the name i dont need the bad things you do to me remix made by our hardrocking man alden tyrell. on the flip theres the dancefloor killer metalbass. straight ahead extreme basslines with rolling grooves, and to finish it off der alte brings us strong melodies and even stronger basslines with beats from paulies good old friend the tr 808. this record is cutted by ome lex v. coeverden. 500 copies pressed! watch out! dont play this record underwater!

after the 2 big first releases of frank kusserow & woody mcbride, now dutch techno-heroes benny rodrigues (wolfskuil, underwater) & afrojack release on dc s new imprint white noise

advanced underwater electronics by dj stingray. known for his collaborations with drexciya (as the official drexciyan dj), and also know for his works with carl craig (on retroactive and planet e as urban tribe) and his collabs with old time friends moodymann and more of the detroit house producers. this is some deep almost industrial electro techno from the motor city and stingray presents another double pack (after his release on richard james rephlex label recently) with some raw, no nonsens dark shit from a dark (and some say doomed) city!!

aesthetic audio continues on its quest to present quality music from a deeper perspective with its 5th release tokyo deep. tokyo deep features the blissfully deep music production of rondenion (tokyo, japan) on three amazing compositions...the underwater journey continues... for fans of moodyman, jus ed etc...

phonogenics >postcard< is slow burner, building and rising to a eventual climax of melancholic underwater deepness. this song will no doubt be played by those in the later time slots and anyone who wants to add a little journey to their mixes. our main man dex aka dave barker is back with another slice of some quality melodic quirky goodness. >yikes!< has a very chopped up funk/soul feel mixed with solid house beats. studio trickery and a hidden japanese opera helps the track evolve from its soulful beginning to another world entirely. finally, we are very pleased to bring you the first of many musical efforts from amantu wilde. not much is known about amantu as he is a bit of a recluse and does not offer up much information about himself. >g-g-got my eyes on you< is a very retro sounding track reminiscent of some classic new wave jams. pseudo industrial percussion and excellent filter work make this track something to remember. something strange for sure but we think people will like the break from the mod rn sounds

four big disco edits!! a side feat hi - a prog disco bomb par excellence and black a slightly more wonky track, with its off kilter beats, underwater vocals and strings on top for a very weird outing indeed!! lime on the b side is an edit of yellos oh yeah! cow is a pretty awesome squelchy little disco number with a top vocoder on top

at the forefront of the new wave of german techno, p.toile and her co-producer alexander krueger (aka tigerskin, aka dub taylor) have created a jittery, bubbly bomb without a piano in sight. propelled by chopped up vocals and rolling snares, >piano piano< conjures up images of an 18-wheeler chugging down a lonely highway on a rainy night, receiving fractured instructions over a faulty cb radio. midway through the track, ethereal pads pierce through the darkness. the rain stops, the clouds part, and the melodic percussion hammers back in. sven tasnádi has dominated cargo editions recent release schedule with his own unique productions as well as collaborations with daniel stefanik, so we are understandably excited about his first contribution to mothership. svens >adventsfrequenz rimüxx< pulls us even deeper, exploring >piano pianos< main chords from a percolating underwater world. a steadily building groove unfurls majestically on the ocean floor, punctuated by rolling congas and sudden crashes, as if a hurricane raged on the waters surface

new one from uniform inflow , sounds really like chatelain bros. sound with acid and minimal side. this track is already inside of the new underwater compilation mixed by yousef. also supported byjohn aquaviva, joachim garraud, tom stephan (superchumbo), austin leeds, didier sinclair, yousef, dean coleman, harry choo choo romero...

support by gregor tresher, karotte, james holden, oliver huntemann.... another stunning extrawelt ep. >disttheme< is the name of this long awaited 3-tracker. the last two years have been busy for the two hamburg based extrawelt guys. single releases on cocoon and traum and remix work on labels such as underwater, confused, different and global underground on the one hand and heavy touring all around the globe on the other hand - that have been busy times indeed. besides this extraordinary schedule, we got the chance to pick these three energetic tracks and now we got them pressed on vinyl finally. this is a high quality mixture of techno, neotrance and house, choosing the best ingredients of all three styles in order to create top notch club music. a fantastic follow-up on kompass musik.

brill electro pop / indy styled longplay album

produced/written by theo parrish, rick wilhite, marcellus pittmann and kenny dixon jr. aka moodyman tracks of jazz fused house music on a bottom heavy detroit tip. very strong record througout, ltd repress

joel mull is more than a contemporary techno artist. he definitely will be known as one of few who more than rode but created the wave and will always be mentioned regarding the fact that he underlines the message that techno will never die! he made his choice in his early adolescence attending a music school and spending hours and days at the piano and keyboard. he is amongst the top 4 swedish electronic musicians with the likes of adam beyer, cari lekebusch and jesper dahlbäck. he started traveling around the globe more than a decade ago and quickly made himself well known as tasty bit of the electronic world with great dj-sets and astonishing live performances which are a must have seen even for the hardest critic. he is a quiet guy who learned his handcraft and evolved into a genius producer who incorporates all his listening experiences in his music. code red, drumcode, kanzleramt, inside records, primeevil, loop records, superstition records, svek, tortured records, turbo, underwater …are some of the platforms which aid him spreading the message

return of the cocoon-proof techno don! some phat business from jaceks underwater lab - yet another exercise in his very own concept of combining minimal groove with maximal sound spectrum. and it works: solid mid-tempo rhythm carries what seems to be a thousand of layers of sound. meaty, bouncing bass stabs intertwine with washes of synthetic melodies, while percussion drops and unidentified samples swirl around in this bio-robotic monster of a tune. >green river< takes jaceks minimal obsession into cold outer space, where you can hear the planets spin and the only hope seems to be coming from a dying communication device... cold, stark and haunting, this is either work of a madman or truly the future now

new york deep house legend jovonn with this nice 2 tracker on coco soul neptune is a deep ride with underwater sounds and some classic sounding acid lines flip over for losin my mind with its trax like vocals backed with this hypnotic synth riff a must have

excellent deep harmonic electro & electronica tracks !!!

tony senghore is no stranger to the world of electronic house music. after countless releases under various monikers including records for paper recordings, music for freaks, underwater and seasons he now graces john dahlbäck s incredibly successful pickadoll imprint with his particular definition of driving & playful dance-floor insanity. way out is based upon a non-stop bass line and perfectly embodies tony s advanced musical temperement by including oriental melodies and fierce efx. careful you don’t lose control on the dancefloor! ‘way off’ on the flipside displays his ability to combine bass-heavy rhythms with simple, keen riffs – but no less mental for it!

magik johnson (nrk, underwater) comes with groovy beats, a dirty bassline and catchy male vocals.. 20.20 visions phonogenic creates a micro techhouse remix with old school touch..

ripperton released amazing records on famous labels like planet e, wagon repair. for our last release on connaisseur in 2006, he saved two outstanding tunes. >tainted words< is a killer club hymn combining two mesmerizing parts. >tainted words (plasmik rmx)< is deeper than the mariana trench. plasmik, our new boy wonders from berlin, grab the outstanding original, vivisect it and recompose it into a deep underwater journey. a must for lovers of deep detroitish cuts. >farra< is far more than a track. ripperton specially dedicated this one to his family and his closest circle of friends. a very personal and pleasant soundtrip, more a song than a track – a short emotional story teller

ovum is proud to bring you a release from christian smith & john selway. known for their amazing releases on tronic , underwater, and intec are finally a part of the ovum family. they deliver a main room monster in silver bullet. this bass driven monster builds to a huge tension filled breakdown that comes back in with a punch that will blow up any floor. already being championed by marco carola, adam beyer, josh wink, loco dice, and carl cox. slam has delivered a percolating remix that has a very old school feel to it. this could be played in a techno set as well as a house set. a very diverse package that should be in every djs record box

intilligente kopfmusik zum überlegen und andere schrägheiten machen !! da läuft nix rund, aber das mögen wir ja an diesem <vogel>

sampler double vinyl for the forthcoming mix cd from joe which is an absolute beauty this double pack brings out joes tekkier influences

this cut of quality glitchy house from lot 49 and underwater star metric (aka alex drury) in collaboration with bob standard (nick webb). …earning plays from dylan rhymes, adam freeland, meat katie, pmt, lee coombes, evil nine, elite force and hyper…

the debut release on gung-ho! recordings (started by matt stuart, the ex-label manager of underwater) sees l.e.o. (aka rob tabor) deliver two tracks of tuff rolling beats, nice pads, sweeps and stabs with great fx and underlying snare rolls. call it tech/funky big room house,whatever, its job done. rob has been djing for 7 years and currently takes up regular spots at turnmills, pacha london and the egg amongst other venues. influences range from the classic sounds of sasha and digweed to the fresh sounds of mike monday, mark knight and nic fanciulli amongst others

hot new artists kerowack on rip records!!this track is already signed to darren emersons underwater 4 compilation..

a double-sided dancefloor depth-charge with and indie flavour (dig those loud snares!) which further defines the aesthetic of barcelonas finest electronic export. a trancey affair with a percussive edge and a very shoegazer-inspired synth-cum-guitar. music to dive by. forget the underground, here comes the underwater! played by sven vaeth !!

jazz

20th anniversary cocoon ibiza season!

deluxe reissue of the 2017 boy harsher ep. for the 1st time available on cd.

kode9 & burial erstellen einen 74-minŸtigen, hypnotischen trip, dessen 37 tracks mit verwirrend vielen tempiwechseln bis in die obskursten ecken vordringen.

die produzenten und djs gabriel & dresden aus san francisco sind seit fast 20 jahren in der globalen progressive house- & trance szene mit vielen club-hits, billboard nr.1 dance hits, remixen fŸr killers, tiesto, paul oakenfold, motorcycle, dido & sarah mclachlan und veršffentlichungen auf renommierten labels wie armada aktiv. nun erscheint ihr lang erwartetes neues album auf dem above & beyond label anjunabeats, nachdem das duo 2016 eine kickstarter kampagne fŸr das album startete und vom ŸberwŠltigenden support ihrer fans Ÿberrascht wurde. als features sind sub teal, jan burton und josh gabriel dabei.